In an effort to getting back to talking about other authors, I want to remind everyone stopping by that we still have SHARE A SATURDAY at this blog...it's just been two months since the last guest post! Basically, if you don't know/remember, SHARE A SATURDAY is when I host guest posts / bloggers on...uh, Saturday. We had a good mini run in summer but it seems to have gotten quiet again. Anyone is welcome at any time to come post on my blog about ANYTHING writing/book related! Want to promo? Stop by! Want another date on your blog tour? Hey! Want to just wax and wan about character development or this one SUPER COOL book you read? I ain't gonna stop you. Unless I'm all booked up.*
For an example of previous guest posts on this blog, check out these awesome posts. (Also, you're free to write a guest post here more than once.)
If you would like to guest post on this blog, please never hesitate to contact me via the ways on the contact page, or drop me a line in the comments. I look forward to having you!
*I do make exceptions for posts that only promote hate speech / illegal activities that should damn well stay illegal. But none of you would ever do that. :D
Showing posts with label Share a Saturday. Show all posts
Showing posts with label Share a Saturday. Show all posts
Tuesday, September 25, 2012
Saturday, August 11, 2012
SAS: "Game On" Blog Tour, by Kyra Lennon
"Share A Saturday" is a weekly chance for you, yes YOU, to come on
my blog and talk about whatever you want, so long as it's related to
writing/books. For more information, such as if you'd like to "share a
Saturday" with me, please see below!
Kyra Lennon was born on the South coast of England, and to this day, still lives by the sea. Fiction writing has always been her passion, but she also has numerous articles on a variety of topics published on prolific websites.
Blog: http://kyralennon.blogspot.co.uk/
When I first started writing Game On, the only characters I had in mind were Leah and Radleigh. Being a complete pantser, I had the loosest plotline imaginable and learned more about where the story was going, and where the characters were going, during the writing process.
What surprised me the most when I was writing, most especially about Leah, was just how much depth she has. On the surface, she’s a British girl living in America, doing a job she loves. That’s it, that’s all there is to see at first glance. But dig just a little deeper, and you’ll find a wealth of baggage and self-inflicted pain that she has been carrying around for far too long. Part of her journey in Game On is trying to figure out if she can “unpack” it, or if she’s destined to carry it around forever.
If you’re reading this, you’re probably a writer too, so you will already know just how important it is to give your characters depth. But this doesn’t just apply to the main characters. Think about the ones around your MCs. Do you really know who they are? Think about how J.K Rowling wrote her characters. She knew everything about every single one of them. I’m pretty sure if you asked her Harry Potter’s grandmother’s shoe size, she’d know the answer! Of course, you don’t need to know quite that much, but you should at least know some of their background. The minor players in your own lives have their own pasts, and those things affect the way they interact with you. The same is true for the characters you write, at least it should be if you want people to believe in them.
I can honestly say, I have never had more than one trait or “thing” planned for any character I’ve ever written when I first begin a new story. It sounds like a very sloppy way to approach writing, but it hasn’t ever really failed me. These people pop up in my head, and with one very basic idea as a starting point, they guide me through the rest of the story. They tell me what to do, who they are, where they’ve been and where they’re going. Quite often, they give me this information when I’ve had a different idea, but in spite of my efforts, they usually win and they are always right!
What I’d like to know is, how do YOU approach the creation of new characters. Do you really flesh them out before you begin writing, or do you let them guide you?
-Amazon US
-Amazon UK
-Amazon US (Paperback)
-Amazon UK (Paperback)
----
If you'd like to participate in a Share a Saturday, feel free to contact me at my email, hildred @ gmail.com (no spaces) or through any of the other ways to get a hold of me through my Contact page.
Kyra Lennon was born on the South coast of England, and to this day, still lives by the sea. Fiction writing has always been her passion, but she also has numerous articles on a variety of topics published on prolific websites.
Blog: http://kyralennon.blogspot.co.uk/
When I first started writing Game On, the only characters I had in mind were Leah and Radleigh. Being a complete pantser, I had the loosest plotline imaginable and learned more about where the story was going, and where the characters were going, during the writing process.
What surprised me the most when I was writing, most especially about Leah, was just how much depth she has. On the surface, she’s a British girl living in America, doing a job she loves. That’s it, that’s all there is to see at first glance. But dig just a little deeper, and you’ll find a wealth of baggage and self-inflicted pain that she has been carrying around for far too long. Part of her journey in Game On is trying to figure out if she can “unpack” it, or if she’s destined to carry it around forever.
If you’re reading this, you’re probably a writer too, so you will already know just how important it is to give your characters depth. But this doesn’t just apply to the main characters. Think about the ones around your MCs. Do you really know who they are? Think about how J.K Rowling wrote her characters. She knew everything about every single one of them. I’m pretty sure if you asked her Harry Potter’s grandmother’s shoe size, she’d know the answer! Of course, you don’t need to know quite that much, but you should at least know some of their background. The minor players in your own lives have their own pasts, and those things affect the way they interact with you. The same is true for the characters you write, at least it should be if you want people to believe in them.
I can honestly say, I have never had more than one trait or “thing” planned for any character I’ve ever written when I first begin a new story. It sounds like a very sloppy way to approach writing, but it hasn’t ever really failed me. These people pop up in my head, and with one very basic idea as a starting point, they guide me through the rest of the story. They tell me what to do, who they are, where they’ve been and where they’re going. Quite often, they give me this information when I’ve had a different idea, but in spite of my efforts, they usually win and they are always right!
What I’d like to know is, how do YOU approach the creation of new characters. Do you really flesh them out before you begin writing, or do you let them guide you?
-Amazon US
-Amazon UK
-Amazon US (Paperback)
-Amazon UK (Paperback)
----
If you'd like to participate in a Share a Saturday, feel free to contact me at my email, hildred @ gmail.com (no spaces) or through any of the other ways to get a hold of me through my Contact page.
Saturday, July 7, 2012
SAS: How to Write A Page Turner, by Lorelei Bell
"Share A Saturday" is a weekly chance for you, yes YOU, to come on my blog and talk about whatever you want, so long as it's related to writing/books. For more information, such as if you'd like to "share a Saturday" with me, please see below!
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If you'd like to participate in a Share a Saturday, feel free to contact me at my email, hildred @ gmail.com (no spaces) or through any of the other ways to get a hold of me through my Contact page. THE REST OF JULY IS OPEN~
In her teens and young adult years, Lorelei has
always rooted for Dracula to be the dark romantic hero, but was often
disappointed. She was considered odd because of her interests in the macabre,
horror/vampire novels and movies well before it was 'cool'.
She went on to write novels that she had always
wanted to find in bookstores, but couldn't. After 35 years of trying to impress
agents/publishers, but failing, finally her first vampire novel, “Vampire Ascending” was taken up by a small publisher. She now has her sequel, “Vampire's Trill” out, and a third in the Sabrina Strong Series going through edits.
Inspiration comes from authors J.K. Rowling,
Charlaine Harris, Kim Harrison, and Janet Evanovich, and others. Visit her blog here !
How to Write A Page Turner
You know how you'll hear people talk about a book that they
couldn't put it down? Ever wonder how the writer's accomplished it? Well, I'll
give you a few tips. I don't mess around, I learn from the masters!
Let's take J.K. Rowling's books because most people have read
them. First of all when the Harry Potter books came out, I really wondered what
all the big deal was. I didn't buy the books until I saw the first movie. That
got me interested. I read the first book, and had to read the next one and the
next one, and then could not wait for the fourth one, and after that, I was
hooked. Why? Why was it when I was done with these books I felt like I had left
my best friends? Why did I want to go live with Harry, in Hogwarts and be
magical?
J.K. Rowling understood how to bring her characters alive, make
them seem real and did it in such a way we didn't even notice.
Sympathetic characters:
First of all, consider her main character, Harry. Harry, as you
know, is the “boy who lived” after Voltermort killed both his parents and then
went after baby Harry. He wore that mark from then on.
What a way to begin a book, or a series! You've automatically made
the reader sympathize with the main character. Then when you find out how
horribly he's treated by his aunt, uncle and cousin—more of the same thing. You
feel sorry for him.
But wait! Harry is not defenseless, nor is he stupid. He finds out
he's a wizard. Plus, he knows better than to befriend people who are nasty. He's
brave, and has pluck and daring, all the necessary equipment of a good hero of a
story.
Application:
When I began my Sabrina Strong Series, I didn't want to have a
kick-ass heroine. I wanted someone who most people could relate to. As the story
opens, she's just lost her father, and her mother disappeared one day, and
everyone thinks she was abducted, and never found. But Sabrina knows she was
turned into a vampire. So, she knows that vampires exist.
Problem (1): She needs a job, but can't hold one
down because she is a touch clairvoyant—she has to wear gloves to keep most of
her visions at bay, thus most jobs she's unable to do or hold down.
Problem (2&3): Then comes along an ad for a
clairvoyant. Ta-da! But wait, she realizes that the person who is to interview
her is a vampire (she's clairvoyant, remember?). But she really needs the job,
and this is something she can do! So, she goes on to the interview, but before
she gets inside, she's attacked by a werewolf. Vampire Nicolas saves her.
Afterwards, he becomes someone she needs to lean on in order to get through the
first few nights of working for vampires under Bjorn Tremayne in Chicago. But
Nicolas desires her, and so does Bjorn. Since Bjorn is the master, what he says
goes and prevents Nicolas from having anything to do with her.
But hold on! Sabrina is not exactly certain she wants a vampire
lover. Plus, the shiftchanger and her are getting really close. And they get
even closer.
The job (problem #4): there is a murderer who is
killing vampires and draining their blood. And soon, she is on the hit list. She
has to find out who it is before anyone else gets killed—especially her!
Problem #5:
Meanwhile her best friend has been abducted by vampires. Sabrina
is the only one who can find her. She does locate her, but she's near death and
finally she meets the vampire who gave her the hickey on her inner elbow when
she was young. Vasyl, a rogue master. He has come to her aide, and little does
she know it, but he has been waiting for her to grow into a woman.
When I began thinking up the problems that Sabrina had to face, I
knew that this was going to be somewhat action packed. There was also a mystery
to solve, because I love stories with mysteries. And there had to be some
romance. But it wasn't to be a simplistic romance, it had to be a little more
involved, and make her choose the right guy. I didn't want the reader to figure
out after the first chapter who she was going to wind up with at the end.
I never like an easy plot, not when I read, and not when I write.
I'll become bored quickly. I need adventure, and working in an urban fantasy
plot it is pretty easy to come up with all sorts of ideas to throw in there.
Creating an action packed novel, one that keeps the readers
wondering what will happen next begins with creating problems for the main
character to solve. And having a sympathetic character, someone the reader can
root for and enjoy for a whole series. The romance thread doesn't have to be as
difficult as I've made it. But I didn't want her to wind up having to be tied to
one guy throughout the whole novel, or the whole series.
Make it Real:
Make your characters seem real by having them do some normal
thing, like sleep, or eat (or needing to pee). One of my complaints about
certain novels is where the characters never seem to eat or sleep. If you don't
show them at least contemplating eating, or feeling sleepy, or getting up in the
morning, remembering a dream, etc. they won't feel real. And if they don't do
any of the above, their dilemmas must cause them to not feel sleepy or hungry,
but for the right reasons.
I actually like to have my characters have conversations while
eating. I find it a challenge for them to use utensils as props in speaking.
Possibly you can think of other ways to make things interesting while they eat,
depending upon the conversation.
Even my vampires need to eat and have human emotions, desires,
jealousy, and these are not totally centralized on blood, sometimes it's about
power, and sometimes it's about other needs.
If you'd like to participate in a Share a Saturday, feel free to contact me at my email, hildred @ gmail.com (no spaces) or through any of the other ways to get a hold of me through my Contact page. THE REST OF JULY IS OPEN~
Saturday, June 30, 2012
SAS: 3 Great Hangouts for Independent Writers, by Michael Abayomi
"Share A Saturday" is a weekly chance for you, yes YOU, to come on
my blog and talk about whatever you want, so long as it's related to
writing/books. For more information, such as if you'd like to "share a
Saturday" with me, please see below!
Michael
Abayomi was born in Lagos, Nigeria. He fell in love with the art of
storytelling after reading J.K. Rowling’s Harry Potter and the
Sorcerer’s Stone. He currently works as a freelance website developer
and shares a passion for books, computers, movies, music, video games
and women.
Blog: www.michaelabayomi.com
Are
you a fledging independent writer with a recently published book? Or maybe you’re
still sitting on the fence regarding self-publishing? Or perhaps you already
have a number of self-published books under your belt, but still feel like a
new kid on the block? If either of these cases happen to be true, chances are
you’ve been trying to learn as much as you can about self-publishing. Or at
least you’ve been trying to connect with fellow independent writers through the
various social media outlets (Facebook, Twitter, Blogger etc)
The
ebook market is constantly evolving, and there is a need to keep informed about
those changes. In the seven or so months since I first self-published, I’ve managed
to stay in the loop by frequenting the following three websites:
A Newbies Guide to Publishing
Truth
be told, I’d been following J. A. Konrath’s blog months before I took the
self-publishing route. Back then, I was still contemplating whether or not to
query agents about my book series, Guardians
& The Lost Paradise, which was only half-written at the time. I quickly
discovered the wealth of information amassed there, which covers everything
from how to go about promoting a book to his views on the ongoing ebook
revolution (and what it means for writers). Thankfully, most of this information
has also been collected into an ebook of the same name.
Let’s Get Digital
Let’s
Get Digital is a professional blog for independent writers. It was created by
Irish writer, David Gaughran, one of my many online friends. I met David in an
online forum (can’t remember which one) and I had subsequently found out about
his books and blog. Even though the blog is just one year old now, there is still
a wealth of information to be discovered there. He’s also collected most of
that information into an ebook of the same name.
Kindleboards Writers’ Café
Of
the
three websites I have chosen for this post, the Kindleboards Writers’
Café happens
to be the one I frequent the most. It is a forum where indies can talk
about
all things Amazon (and way more). The sense of community there is
overwhelming
sometimes, and it is quite common for the same newbie questions to get
answered
over and over again. I’m more of a lurker myself, preferring to learn by
reading through the ongoing discussions (rather than raise new
questions). Some
of the members are also quite eccentric. This is why just reading
through the replies on some of the more popular threads is enough to
brighten an otherwise sour day.
What
about you? What other forums, blogs or Facebook groups do you follow or frequent
as an independent writer?
----
If you'd like to participate in a Share a Saturday, feel free to contact me at my email, hildred @ gmail.com (no spaces) or through any of the other ways to get a hold of me through my Contact page.
If you'd like to participate in a Share a Saturday, feel free to contact me at my email, hildred @ gmail.com (no spaces) or through any of the other ways to get a hold of me through my Contact page.
Saturday, June 23, 2012
SAS: The Perils of Being an Author With Synesthesia, by Morgan Bauman
"Share A Saturday" is a weekly chance for you, yes YOU, to come on my blog and talk about whatever you want, so long as it's related to writing/books. For more information, such as if you'd like to "share a Saturday" with me, please see below!
Morgan Bauman is a YA fantasy author currently in the process of publishing her series "UNTOLD MEMORIES". You can check out her blog here!
The letter A is a brilliant, apple red. The number 4 is a green so vivid and fresh that grass dreams of it during long hot summers--summers that scorch grass the dry, brittle yellow of the song Hotel California. E is green, too; a frostier green, colder and deeper. My main character’s personality is a dulled, reddish brown that matches the R that begins her name.
Synesthesia is a relatively rare condition in which the sensory wires in the brain overlap and intermingle; one sense involuntarily sets off another sensation (in addition to the sensation it would have triggered on its own in a neurotypical brain). For some people, letters may have personalities; scents may evoke specific textures pressed against one’s hands; tastes may have shapes; the days of the week may each have a poignant flavor. This isn’t something imagined by the synesthete; if tested, the sensations will remain constant over years and decades.
For me, every musical note, letter, number, concept, voice, and character has a color. The color of a word on the page doesn’t always match the color of the word in the air. Just like the tightly packed dots of color in an old-time comic book, the words’ colors change as I string them into sentences and paragraphs, bleeding into each other, warping and fading. Commonly used words tend to fade, color-wise; as a child, I thought this was what people referred to when they said, “That’s my name; don’t wear it out.” If I pack too many vibrant words together, paragraphs begin to clash and look disjointed. My stories have to look good on paper as well as aloud, so I read them to myself as I go.
So far, it probably sounds like a boon, and it is; I wouldn’t trade my synesthesia for a million dollar book deal. But the title of this piece mentions peril. What perils could there be?
If I’m listening to a song with dark brown guitar and yellow-brown vocals--while writing about a character with a green personality interacting with one with a dull red personality--but this particular chapter calls for muted blue in the description, I sometimes stop ten or thirty times and just hold my head in my hands while trying to sort through everything. I get distracted. The words get jammed in my fingers, the tip of my tongue, impossible to dislodge.
Color flow--whether in a mix CD or a chapter--is extremely important to me. I intentionally use jarringly different colors in language for a specific effect; I name characters and their personality blossoms out of the colors of their name (or they get renamed).
Which leads me to the final peril of being an author with synesthesia: sometimes, you write something literal only to have it be taken as metaphor; other times, you realize that your hidden description--the colors coursing underneath the text--are invisible to all of your readers. The hidden, watery themes; the dry touch of the desert in your villains; the bursts of vivid color on the barren landscape of the page--invisible.
Even so, I like to include them. After all, what’s better than secrets hidden in plain sight?
----
If you'd like to participate in a Share a Saturday, feel free to contact me at my email, hildred @ gmail.com (no spaces) or through any of the other ways to get a hold of me through my Contact page.
Morgan Bauman is a YA fantasy author currently in the process of publishing her series "UNTOLD MEMORIES". You can check out her blog here!
The letter A is a brilliant, apple red. The number 4 is a green so vivid and fresh that grass dreams of it during long hot summers--summers that scorch grass the dry, brittle yellow of the song Hotel California. E is green, too; a frostier green, colder and deeper. My main character’s personality is a dulled, reddish brown that matches the R that begins her name.
Synesthesia is a relatively rare condition in which the sensory wires in the brain overlap and intermingle; one sense involuntarily sets off another sensation (in addition to the sensation it would have triggered on its own in a neurotypical brain). For some people, letters may have personalities; scents may evoke specific textures pressed against one’s hands; tastes may have shapes; the days of the week may each have a poignant flavor. This isn’t something imagined by the synesthete; if tested, the sensations will remain constant over years and decades.
For me, every musical note, letter, number, concept, voice, and character has a color. The color of a word on the page doesn’t always match the color of the word in the air. Just like the tightly packed dots of color in an old-time comic book, the words’ colors change as I string them into sentences and paragraphs, bleeding into each other, warping and fading. Commonly used words tend to fade, color-wise; as a child, I thought this was what people referred to when they said, “That’s my name; don’t wear it out.” If I pack too many vibrant words together, paragraphs begin to clash and look disjointed. My stories have to look good on paper as well as aloud, so I read them to myself as I go.
So far, it probably sounds like a boon, and it is; I wouldn’t trade my synesthesia for a million dollar book deal. But the title of this piece mentions peril. What perils could there be?
If I’m listening to a song with dark brown guitar and yellow-brown vocals--while writing about a character with a green personality interacting with one with a dull red personality--but this particular chapter calls for muted blue in the description, I sometimes stop ten or thirty times and just hold my head in my hands while trying to sort through everything. I get distracted. The words get jammed in my fingers, the tip of my tongue, impossible to dislodge.
Color flow--whether in a mix CD or a chapter--is extremely important to me. I intentionally use jarringly different colors in language for a specific effect; I name characters and their personality blossoms out of the colors of their name (or they get renamed).
Which leads me to the final peril of being an author with synesthesia: sometimes, you write something literal only to have it be taken as metaphor; other times, you realize that your hidden description--the colors coursing underneath the text--are invisible to all of your readers. The hidden, watery themes; the dry touch of the desert in your villains; the bursts of vivid color on the barren landscape of the page--invisible.
Even so, I like to include them. After all, what’s better than secrets hidden in plain sight?
----
If you'd like to participate in a Share a Saturday, feel free to contact me at my email, hildred @ gmail.com (no spaces) or through any of the other ways to get a hold of me through my Contact page.
Wednesday, June 13, 2012
Introducing Share a Saturday, or, LET MY BLOG BE YOUR BLOG~
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| I couldn't resist. |
Have a new book coming out?
Have an older book with stagnating sales?
Looking for an opportunity to write guest posts?
Come to my blog and promote yourself / write a guest post to generate interest! I don't mind! I don't really do anything on Saturdays around here! Really, I'm just looking for a way to give back to all you awesome people, whether it's signal boosting or just getting your name out there. I wish I could do this on my own, but there are only so many hours in the day and it's easier to just approach me about it! (Seriously, it really is, lol.)
So if you're interested in taking over my blog for a day to promote your writing (any genre and age range fine!) just drop me a line in the comments or email me at hildred @ gmail (no spaces) and we'll work it out! Feel free to spread the word too. I'm open~
First post will be this Saturday...assuming there's any interest!
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